1- Thirty years ago, the Government of Senegal launched the Dakar Biennale of Contemporary African Art. Following a postponement two years ago, this initiative of international scope is finally back on track. What are your expectations for this 14th edition of the Dakar Biennale?
The 14th edition of the Biennale marks a return to normality in the cultural sector. Above all, it is an opportunity to open up to the world, both for us young artists and for anyone working in the arts. It is an event that will be rich in exchanges, encounters and debates. Everyone will be able to gain new experiences and forge connections for the future.
2- What impact has this global crisis had on your daily life? What do you see as your role as an artist in the face of such a major, global disruption?
This crisis has had a huge impact on my daily life. There were fewer cultural events, with many exhibitions, trips and residencies cancelled, not to mention the drop in sales. Beyond the cultural sector, the photo shoots and event coverage I used to do for private clients have also dropped off significantly. But this crisis has shown just how important human beings are, and has therefore brought us closer together.
For my part, this period was more devoted to reflection and exploration of my art. The question was how I could evolve, given that we were now operating more in the virtual realm. So I set myself the goal of showcasing my work through social media and thereby raising awareness of artistic photography.
3- As an artist, how do you see your future? What do you want to contribute to Africa and the world?
Our distinctiveness, our African identity. The coronavirus has put humanity back at the centre of life on Earth. We artists must show this to people, commit ourselves to a more humane society and, in doing so, continue to promote Africa and its values.
4- To what extent do the works you are presenting as part of the exhibition ‘Africa: The Renaissance in Progress’ reflect post-coronavirus social and cultural life and the continent’s cultural, social and economic renaissance?
My works draw their inspiration from people’s everyday lives. They reflect my surroundings. They represent Africa’s resilience in the face of COVID and all the crises it has endured.
5- What are your artistic influences and how have they shaped your thinking?
I drew a great deal of inspiration from the situation we were experiencing at the time, with all its developments. I interpret people’s daily lives in various situations, without imposing any restrictions on the scenes I depict. I seek to express my passion and my emotions through scenes of everyday life, capturing the vitality of human beings in their various activities, their emotions and their zest for life. In this, I find an inner sense of well-being that fuels my creativity.
